Serge POLIAKOFF
1900/1906–1969, Russia/France

The Russian painter Serge Poliakoff, born in Moscow on 8 January 1900, is one of the most important members of the Ecole de Paris. He fled the Russian Revolution in 1917, first going to Constantinople and then to Paris in 1923, where he spent most years of his life. He began studying painting while earning a living as a musician. He enrolled at the Académie Forchot and Académie de la Grande Chaumière in Paris 1929 and went to London in 1935 where he studied at the Slade School of Art. At first he produced variations of academic traditions and predominantly figurative motifs such as nudes, houses, trees etc. After 1935 Poliakoff increasingly turned towards abstract art, employing colour as colour without any figurative context. A decisive influence in this direction was Kandinsky, whom he met after his return to Paris. Sonia and Robert Delaunay taught him to appreciate the emotive quality of colour and awakened an interest in simultaneous contrasts. Another important source of Poliakoff's pictorial language was the sculptor Otto Freundlich with his curved colour-form compositions. Poliakoff developed a very individual form of abstract painting, arranging different coloured fields of colour next to one another. Shades of brown and grey were his preferred colours during the 1940s, while after the 1950s he extended his palette including bright contrasting tones. In his late work Poliakoff abandoned the polychrome palette and returned to earth tones and more monochrome works. Poliakoff's paintings were shown at international exhibitions during the 1950s and 1960s, after his nationalisation in France in 1962 the artist received his own room at the Biennale in Venice. Over the later years a number of lithographs, to which Poliakoff attended since 1962, as well as small format paintings were created, when the artist had to take care of himself after a heart attack in 1965. Serge Poliakoff died in Paris on 12 October 1969.

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Serge Poliakoff was born in Moscow in 1906, the thirteenth of fourteen children. His father, a Kyrgyz, supplied the army with horses that he bred himself and also owned a racing stable. His mother was heavily involved with the church, and its religious icons fascinated him. He enrolled at the Moscow School of Painting, Sculpture and Architecture, but fled Russia and the Russian Revolution in 1917. He arrived in Constantinople in 1920, living off the profits from his talent as a guitarist.
He went on to pass through Sofia, Belgrade, Vienna, and Berlin before settling in Paris in 1923, all the while continuing to play in Russian cabarets. In 1929 he enrolled at the Académie de la Grande Chaumière. His paintings remained purely academic until he discovered, during his stay in London from 1935 to 1937, the abstract art and luminous colours of the Egyptian sarcophagi. It was a little afterwards that he met Wassily Kandinsky, Sonia and Robert Delaunay, and Otto Freundlich.
With these influences, Poliakoff quickly came to be considered as one of the most powerful painters of his generation. In 1947, he was trained by Jean Deyrolle in Gordes in the Vaucluse region of France amongst peers such as Gérard Schneider, Giloli, Victor Vasarely, and Jean Dewasne. By the beginning of the 1950s, he was still staying at the Old Dovecote hotel near Saint-Germain-des-Prés, which was also home to Louis Nallard and Maria Manton, and continuing to earn a reliable income by playing the balalaika. A contract enabled him to quickly gain better financial stability.
In 1962 a room was given over to his paintings by the Venice Biennial, and Poliakoff became a French citizen in the same year. His works are now displayed in a large number of museums in Europe and New York. Poliakoff also worked with ceramics at the Manufacture nationale de Sèvres. He influenced the paintings of Arman.

Source: http://www.kettererkunst.com/bio/SergePoliakoff-1900-1969.shtml http://en.wikipedia.org/wiki/Serge_Poliakoff