Matts LEIDERSTAM
1956, Sweden

Matts Leiderstam

Education:
1974-77 1977-81
1984-89 1986 2002-06
Pottery apprentice, Rörstrands AB, Lidköping B.A of Art Education, University College of Arts, Crafts and Design, Stockholm M.A, Valand, University of Gothenburg College of Art Royal College of Art, The Printmaking Department, London Ph.D. in Fine Arts, Malmö Art Academy, Lund University

Solo shows:
2008 Gallery Kalhama & Piippo, Helsinki Salon muzeja savremene umetnosti /Salon Museum of Contemporary Art, Belgrade Wilfried Lentz, Rotterdam
2007 Andréhn-Schiptjenko, Stockholm Verkligheten, Umeå
Badischer Kunstverein, Karlsruhe 2006 Kunstmuseum Liechtenstein, Vaduz 2005 Göteborgs Konsthall, Gothenburg
DCA – Dundee Contemporary Arts, DundeeMagasin 3 Stockholm Konsthall, Stockholm 2004 Minetta Brook at Cedar Grove, The Thomas Cole, National Historic Site, Catskill NY 2002 Rooseum – Center for Contemporary Art, Malmö, (with Joao Penalva) 2001 Andréhn-Schiptjenko, Stockholm
Klemens Gasser & Tanja Grunert Inc, New York
CRAC – Centre Régional d ́Art Contemporain, Languedoc-Roussillon, Séte 2000 INOVA – Institute of Visual Arts, University of Wisconsin, Milwaukee 1999 Moderna Museet Project at Centre Culturel Suédois, Paris 1998 Andréhn-Schiptjenko, Stockholm
Arkepilag, The Royal Coin Cabinett, Stockholm
Optica – Centre for Contemporary Art, Montréal 1997 CRG Gallery, New York
1996 Nordic Art Centre, Helsinki White Columns, New York
1995 Malmö Konstmuseum Forumgalleriet, Malmö
1994 Sandvikens Konsthall, Sandviken Olle Olsson-Huset Hagalund, Stockholm Mölndals Konsthall, Gothenburg
1993 Galleri Ahnlund, Umeå 1992 Galleri Krister Fahl, Stockholm
Skövde Konsthall, Skövde 1990 Galleri Krister Fahl, Stockholm 1989 Galleri Wallner, Malmö 1987 Subbau, Gothenburg
Bio – Mellangatan 5, Gothenburg
Galleri Ets Ets Ets, Umeå 1985 Galleri Rotor, Gothenburg
Lidköpings Konsthall, Lidköping, (with Eva Brodin)

Selected Group Shows:
2009
2008
2007
2006
2005 2004 2003
2002
The Mountain Show, Wilfried Lentz, Rotterdam Seen, Unseen, Scene, Centré d’Art Passerelle, Brest Romantikens kraft – på spaning efter romantiken, Malmö Artmuseum, Malmö
Nameless Science, Apex Art, New York The Third Guangzhou Triennial – Farwell to Post-Colonialism, Guangzhou How to build the Mississippi River in your own backyard by RAKETA & friends, Uppsala Konstmuseum, Uppsala Residents, EDF Foundation Espace Electra, Paris Who’s on First, Royal Academy Schools Gallery, London Art Unlimited, Art Basel, Basel Contemporary Scandinavian Art, The Scottsdale Museum of Contemporary Art (co-organized with The Moore Space, Miami), Scottsdale AZ Malmö Art Academy – Sopawan Boonnimitra: Lak-ka-pid-lak-ka-perd, Matts Leiderstam: See and Seen, Miya Yoshida: Invisible Landscapes, Lunds Konsthall, Lund VAC Colección Valencia Arte Conteporáneo, IVAM, Institute Valencia d’Art Modern, Valencia Icónica, Patio Herrerianeo Museo de Arte Contemporáneao Espanol, Valladolid Again for Tomorrow, CCA Royal College of Art, London Russia: Significant Other, Anna Achmatova Museum, St. Petersburg
No Painting, Kunstihoone, Tallinn Falskt & Äkta, Nationalmuseum, Stockholm Periferic 6 – Prophetic Corners, Iasi
Watershed – Hudson River Art Project, North Dock, Bear Mountain State Park and Boscobel Restoration, Garrison, produced by Minetta Brook, New York
Le Songe d’une nuit d’ete, Magasin 3 at CCS, Paris Influence, Anxiety & Gratitude, MIT-List Visual Art Center, Cambridge (US) Nostalgic Real, Müllerdechiara, Berlin Ochos relatos nórdicos, Centro Galegoi de Arte Contemporaánea, Santiago de Compostela Collected Contemporaries, Moderna Museet C/O Klarabergsviadukten 61, Stockholm View Finder, Arnolfini, Bristol
Regarding Landscape, The Koffler Gallery, Toronto
Exchange and Transform (Arbeits Titel), Kunstverein München, Munich 2001 Paradise In Search of a Future, Cepa Gallery, Buffalo; Atlanta College Gallery, Atlanta
The Path of Resistance - MoMA meets Moderna 1960-2000 , Moderna Museet, Stockholm The Society for Contemporary Art, Acquisition Finalists 2001 , The Art Institute of Chicago, Chicago Malmö Konstmuseum, Malmö Enduring Love, Klemens Gasser & Tanja Grunert Inc, New York
Skifte,
2000 This Boy Could Be Me, Teater Replica, Stockholm The Folly, La Ville, le Jardin, la Mémoire, Villa Medici, Rome Edstrandska, Rooseum - Center for Contemporary Art, Malmö Carnegie Art Award 2000, Konstakademien, Stockholm; Göteborgs Konstmuseum, Gothenburg; Listsafn Kópavogs, Kópavogur, Reyjkjavik; Helsingfors Konsthall, Helsinki; Henie Onstad Art Center, Oslo; Sophienholm, Copenhagen Drömmen om ett landskap, Norrköpings Konstmuseum Painterly, 11th Vilnius Painting Triennia,l Contemporary Art Center, Vilnius Looking Back, Bard College - Center for Curatorial Studies, Annandale on Hudson NY Organising Freedom, Moderna Museet, Stockholm; Charlottenborg, Copenhagen
1999 The Family Show, Uddevalla Konsthall, Uddevalla; Passagen Linköpings Konsthall, Linköping; Uppsala Konstmuseum, Uppsala
Carnegie Art Award 1999, Konstakademien, Stockholm; Listsafn, Kópavogs, Reyjkjavik; Amos Andersson Konstmuseum, Helsinki; Kunstnerernas Hus, Oslo; Sophienholm, Copenhagen; Barbican Art Gallery London By the Way, IASPIS, Stockholm
1998 Touch, Museum Narodna, Poznan From The Corner of The Eye, Stedejlik Museum, Amsterdam Spatio temporal, Magasin 3, Stockholm Transpositions, South African National Gallery, Cape Town Come Closer, Liechtensteinische Staatliche Kunstsammlung, Vaduz; Nikolai Kirke, Copenhagen; Ludwig Museum, Budapest Studio Visit, Duende and Boijmans van Beuninger, Rotterdam
1997
1996
1995
1994
1991
Projects:
2005
2004
2002
A Visit from Stockholm, James van Damme Gallery, Brussels Summer Collection 1997, South London Gallery, London Deposition, The Venice Biennale Letter and Event, Apex Art, New York
I am Curious - These Days, Cubitt Gallery, London Conceal / Reveal, Site Santa Fe, Santa Fe Jurassic Technologies Revenant,10th Biennale of Sydney, Sydney See How it Feels Like!, Rooseum, Malmö
Disneyland After Dark, Uppsala Konstmuseum, Uppsala; Kunstamt Kreuzberg, Bethanien, Berlin The Hotel, Hotell Gustav Vasa, Stockholm
Hello!, Andréhn-Schiptjenko, Stockholm Blind Love, Moderna Museet, Stockholm Park, Doktor Glas, Stockholm Rum för aktuell konst, Gothenburg
Art Against Aids, Galleri Krister Fahl, Stockholm Galleri Ahnlund, Umeå
View Finder, a project for a newspaper, in collaboration with Borga Kanturk and Serkan Uzkaya, Radikal September 16, Istanbul Reflections of Space – a “sputnik project” for Kunstverein München, November 12-13 at Kunstverein München, in the Hofgarten and at The Residence Museum, Munich
Mirrored (look at the painting and the painting looks back), a project made at Retretti Art Centre, Finland in collaboration with Anders Kreuger. View - a dinner event in collaboration with the chef Dan Barber, made at Blue Hill, Stone Barn , Pocantino Hills, New York. Produced by Minetta Brook within the series of dinners Watershed Tastemakers
Selbstbildnis, a project made with Kunstverein München in Collaboration with Schack Galerie; Munich and Philipe Metz
2001 The Artist Is at Niagara Falls, A project made with CEPA Gallery in collaboration with Albright Knox Art Gallery, Buffalo NY
1997-99 Returned, a project were the artist is leaving copies made after Nicolas Poussin’s ”Spring or The Earthly Paradis” in cruising parks: Hampstead Heath London,The Rambles, Central Park New York, Parc Mont Royal, Montréal, Park K. Marcinkowiego, Poznan, Frescati, Stockholm , Parc des Buttes-Chaumont, Paris and Galoppatoio, Villa Borghese, Rome
1995 Kärlekstörst, a project for the newspaper Expressen, Stockholm 1994 The Arrows of Cupid , Ynglingagatan 1, Stockholm, were the artist painted arrows on the sidewalk between the
gallery and the blue movie Hagabion at Hagagatan, Stockholm Blind Love, Moderna Museet, Stockholm, were the artist make portraits of two students from Rinkebyskolan, Stockholm
Projects in the studio at Gullmarsvägen 50, Stockholm:
1995
1994
1993
Under tiden, an exhibition by Stefan Uhlinder Every Morning I Feel different - Every Night I Feel the Same, an installation by Mikael Elmgreen Smak, an exhibition made by Eva Larsson Via Karin, Vanja, Staffan, Cilla, Lotta, Annika, Hans, Arne, Malin, Anders och Susanna, a projekt by Elin Wikström, Stockholm Public Library and in the studio In the Garden of Eden..an Installation in my Studio
Projects in the Studio at Bjurholmsplan 21, Stockholm:
2002 Whiteout & F for Fake, Kajsa Dahlberg and Christian Andersson. Public Art Works:
2003-06 View, made for Watershed – Hudson River Art Project, North Dock, Bear Mountain State Park and Boscobel Restoration, Garrison, produced by Minetta Brook, New York *
2001 View, produced by National Public Art Council and The City of Malmö, Västra Hamnen, Scaniaplatsen, Malmö*
Curatorial work:
2007 Reflektioner av rum, Mateuz Herczka, Mako Ishizuka and Martin Jacobson, Andréhn-Schiptjenko, Stockholm
Residencies:
2006 International Residence at Couvents des Recollets, Paris, France 2005 Cove Park, Scotland 2004-05 IASPIS’s studio, Stockholm, Sweden 2001 CEPA Gallery, Buffalo, USA
1999 Villa Saint Clair, Sète, France 1996-97 IASPIS’s studio, London, UK 1992 The Swedish Art Grants Committee’s Studio Residency in Montréal, Canada
Represented in public collections:
Albright-Knox Art Gallery, Buffalo Art Collection Erasmus MC, Rotterdam Eskilstuna Konstmuseum, Eskilstuna Bonnier Foundation, Stockholm Dunkers Kulturhus, Helsingborg Göteborgs Konstmuseum, Gothenburg Iziko – South African National Gallery, Cape Town Kunstmuseum Liechtenstein, Vaduz Lidköping, Umeå and Solna City Council Collections Magasin 3 Stockholm Konsthall, Stockholm
Malmö Konstmuseum, Malmö Moderna Museet, Stockholm Museum of Contemporary Art, Belgrade Norrköpings Konstmuseum Seattle Art Museum, Seattle Statens Konstråd, Stockholm Stockholms Landsting, Stockholm Sundsvalls Konstmuseum, Sundsvall
Teaching and Lectures:
Positions: supervisor at Valand, University of Gothenburg College of Art, spring 1997; professor at Malmö Art Academy, 1997-2001; external tutor at Malmö Art Academy, 2007- 2008; Post doctor Malmö Art Academy, 2009-2010
Lectures: Oslo Art Academy, 1995; Helsinki Art Academy, 2004 and 2006; University College of Arts, Crafts and Design, Stockholm, 2005; The Royal Academy of Stockholm, 2000, 2003 and 2005; Valand, University of Gothenburg College of Art, 2001; Yale University, New Haven, 2003; University of North Western, Chicago, 2000; University of Illinois in Chicago, 2000; “Tuesday Talk”, Cornerhouse, Manchester, 2007, Symposium “The Construction of an Identity in Artistic Practice”, Royal Academy of Arts, Kuva and Goldsmiths University of London, at Royal Academy School, London, 2007; Kunstverein Hannover, 2007; Vetanskapsrådet, Stockholm, 2007; Badischer Kunstverein, Karlsruhe 2007
Opponent for graduate student master show: Valand, University of Gothenburg College of Art, 1998 and 2001.
Miscellaneous doings:
“Sputnik” at München Kunstverein, Munich, 2002-2004
Expert opinions: professor position in art, University College of Arts, Crafts and Design, Stockholm, 2005; professor position in art pedagogic, University College of Arts, Crafts and Design, Stockholm, 2005; professor position in art, at Valand, University of Gothenburg College of Art, 2004, two part time professor positions in art, The Royal Academy in Stockholm, 2003.
Adviser for visual art, The Foundation of the Culture of the Future, Uppsala, 2004-05
Catalogues and Books:
Dissertation, CD-Rom and web publication (www.seeandseen.net/dissertation): Matts Leiderstam, See and Seen – Seeing Landscape through Artistic Practice, Malmö Art Academy, Lund University, Malmö, 2006
Web catalog: Grand Tour(www.magasin3.com/exhibitions/grandtour/), Magasin 3, 2005, Stockholm, introduction by David Neuman, essays by Jan Avgikos, Denise Robinson and Jan Verwoert, a conversation between Kristoffer Arvidsson and Matts Leiderstam, a conversation between Friedemann Malsch and Matts Leiderstam
Book: View, Minetta Brook, New York 2004. Essay byLynne Cooke and a conversation between Matts Leiderstam and Peggy Phelan.
Book: Matts Leiderstam – Works 1996 – 2001, Antenna, Stockholm 2002. Essays Gertrud Sandqvist, Marilu Knode, Ami Barak, Charles Esche, conversation between Peggy Phelan and Matts Leiderstam.
Leaflet: Selbsbildnis,Schack-Galerie & Kunstverein München, München 2002. Essays Sören Grammel and Dr Herbert W. Rott.
Book: View - a Book to Those who Live in Västra Hamnen , 2001. A public artwork made for the National Public Art Council and The City of Malmö. Essay by Matts Leiderstam
Catalog: Moderna Museet Projekt - Matts Leiderstam, Moderna Museet, 1999. Introduction Maria Lind and essay by Denise Robinson
Book: Matts Leiderstam - No Difference At All, 1996. NUNSKU, Stockholm. Essay byLynne Cooke
Catalog: The Shepherds, an exhibition by Matts Leiderstam, Mölndals konsthall, Sandvikens Konsthall, Olle Olsson-huset 1994. Introduction Isabella Nilsson and essay by Annika Öhrner
Artist book: De fyra kardinalsafterna, Matts Leiderstam, 1988
Selected Bibliography:
Frits de Coninck, “Leder zijn eigen landschap”, Het Financieele Dagblad, May 10 2008
Catrin Loch, Matts Leiderstam – Badischer Kunstverein, Art Forum, March 2008
Michael Haufen, Matts Leiderstam “Nachbild”, Springerin, February 2008
Ulrika Stahre, “Klass, krig och ägande”, Aftonbladet, December 31 2007
Bo Madestrand, “Konstdetektiven”, Dagens Nyheter På Stan, November 29 – December 5 2007
Klaus Heid, “Der Spröde Charme des kunstpädagogischen Archivs”, www.regioartline.org, Regioartline Kunstmagazin, September 17 2007
Georg Patzer, “Mit der Lupe and die Details”, Badischer Tagblatt, September 14 2007
Carmela Thiele, “Mehr Durchblick auf das Verborgene”, BNM, September 13 .2007
Book: There’s Gonna be some Trouble – The Five Year Rooseum Book 2001-2006, Rooseum Center for Contemporary Art, Malmö 2007. Essay by Charles Esche
Joanna Persman, “Rumstrippeln ger mer frågor än svar”, Svenska Dagbladet, May 12, 2007
Margaretha Rossholm Lagerlöf, “Aesthetics meets a work of the contemporary art scene: Grand Tourby Matts Leiderstam – subversion and commitment”, Word & Image, vol.23, no. 2 April-June 2007
Book: Konstnärlig forskning under lupp, Vetenskaprådet, Stockholm, 2007. Essay byMaria Hellström
Catalog: Icónica, Patio Herrerianeo Museo de Arte Contemporáneao Espanol, Valladolid, 2006. Introduction and essay by Pablo Llorca
Miya Yoshida, “Grand Tour, by Matts Leiderstam”, Around the Globe,BT (Bijyutsu Tecyo), April, 2006 Vol. 58/No. 878
Catalog: Again for Tomorrow, Royal College of Art, 2006, London. Introduction by Andrew Bonacina and Céline Kopp, and essay by Charlotte Bonham-Carter
Sinziana Ravini, “Lek med visuella lustar”, Göteborgsposten, December 10 2005
Jack Mottram, “Matts Leiderstam, Dundee Contemporary Arts”, Art Monthly, September 2005, No 289
Book: Collected Newsletters, edited by Maria Lind, Søren Grammel, Katharina Schlieben, Judith Schwarzbar, Ana Paula Cohen, Julienne Lorz, Tessa Praun, Kunstverein München, Munich & Revolver, Franfurt am Main, 2005
Liutauras Psibliskis, “Matts Leiderstam, Magasin 3”, Art Forum, reviews, summer 2005
Ronald Jones, “Matts Leiderstam Magasin 3, Stockholm, Sweden”, Frieze, Issue 92 June/July/August 2005
Catalog: No Painting, Kunstihoone, 2005, Tallinn. Essay by Anders Härm
Ricci Neuman, “Med nya ögon”, Svenska Dagbladet, February 16 2005
Camilla Hammarström, “Här leker Matts med konsten – och med oss”, Aftonbladet, February 20 2005
Catalog: Periferic 6 – Prophetic Corners, Vector Association, 2004, Iasi, Romania. Essay byAnders Kreuger
Catalog: Falskt och Äkta, Nationalmuseum, 2004, Stockholm. Essay by Håkan Nilsson
Book: Hidden Histories – 20th Century Male Same Sex Lovers in the Visual Arts, text by Michael Petry,Artmedia Press, London 2004
Claudia Steinberg, “Und plötzlich spricht die Bank”, Die Zeit, November 13, 2003
Jeffrey Kastner, “Watershed”, Art Forum, reviews, October 2003 Holland Cotter, “Art Shows in the Great Indoors”,New York Times, Weekend Fine Arts Leisure, Art Review, July 25, 2003
Book: Revisiting the Show, Asocitja Vektro, Iasi,Romania, 2003. Essay byMatts Leiderstam
Nancy Princethal, “A 10-Part Hello Along the Hudson”,New York Times, Art & Leisure, May 11 2003
Book: John Paul Ricco, The Logic of the Lure , University of Chicago Press, 2002
Catalog: Katalog 31 Statens Konstråd 2001, Stockholm, 2002. Essay by Susanne Eriksson
Book: Watershed The Hudson Valley Art Project, Journal 1, Minetta Brook, New York 2002. Essay byGertrud Sandqvist
Matts Leiderstam and Philip Metz, “Selbsbildnis – a conversation”, Fall 02 Drucksache Kunstverein München, Fall 02
Catalog: Shimmering Substance / View Finder, catalog: Arnolfini, Bristol, 2002. Essay by Stephen Hepworth and Catsou Roberts
Catalog: Ochos relatos nórdicos, Centro Galego de Arte Contemporánea, Xunta de Galicia, Santiago de Compostela, 2002. Introduction by Lorena de Coral and essay by Sören Grammel
Christian Mayer, “Die Melanchlie der Tempeldiener”, Süddeutsche Zeitung, Sonntag, 11/12, May 12 2002
Michael Hauffen, “Exchange & Transform (Arbeitstitel) Kunstverein München”, Kunstforum International, no 160 Juni – Juli 2002
Maria Lind, “Exchange & Transform (Arbeitstitel)”, Spring 02, Drucksache Kunstverein München
Gertrud Sandqvist,”Ömsesidighet”, Artes - tidskrift for litteratur, konst och musik, no. 2/2002
Catalog: Collected Contemporaries, Moderna Museet, Stockholm 2002. Essay by Sören Engblom
Dan Jönsson, “Dubbelplattityder och fantombilder”, Dagens Nyheter, March 26 2002
Joao Penalva and Matts Leiderstam, “Matts Leiderstam & Joao Penalva”, Rooseum Provisorium, 1:2002
Peggy Phelan, \"A Lava Step at Any Time\", NU-The Nordic Art Review, No. 6 2001
Catalog: Konsten i Västra Hamnen, The National Public Council and the City of Malmö, Malmö 2001. Essay by Pontus Kyander
Book: We are All Normal (and we what our freedom) - a collection of contemporary nordic artist writings edited by Katjya Sander & Simon Sheikh, Black Dog Publishing Limited, 2001. Conversation between Matts Leiderstam and Peggy Phelan
R.M. Ryan, ”Matts Leiderstam INOVA”,New Art Examiner, May-June, 2001
Heinz-Norbert Jocks, ”Der Homoerotische Blick”, Konstforum 154, April - May 2001 Denise Robinson, ”Matts Leiderstam, Centre Régional d’Art Contemporain”, Art Press, May 2001
Michel Nuridsany, ”Fragile, domestiquée, la nature en dialogue.”, Le Figaro, March 16 2001
Gregory Salzman, \"Regarding Landscape\", Canadian Art, no 3, 2000
Bo Madestrand, \"So trendy it hurts\", Documents sur l ́art, no 12, 2000
Catalog: Organising Freedom, Nordic art of the -90s, Moderna Museet, 2000. Essays by David Elliott, Kim Levin and Apinan Poshyananda
Milou Allerholm, \"Vad är egentligen en familj?\", Dagens Nyheter, Sept 25, 1999
Bill Arning, ”Honcho featuring Artists, Dean Sameshima, Glenn Ligon, Andriano Pedrosa, Matts Leiderstam”, Honcho, October 1998
Alexandra Bradley, ”The poetics of ambiguity: a queer sensibility”, Bulletin Stedelijk Museum Amsterdam, no. 4/98
Book: Cream - Contemporary art in Culture, Phaidon, London1998. Essay by Åsa Nacking
Catalog: Arkepilag, a project organized by Stockholm - Culture Capital of Europe 1998 , ”Blue Vision - Sitting in Front of a Painting - an email conversation between Matts Leiderstam and Friedemann Malsch”
Catalog: From The Corner of The Eye , Stedelijk Museum Amsterdam, 1998. Essay by Martijn van Nieuwenhuyzen, Leontine Coelewij and Hripsimé Visser
Catalog: Transpositions, Five Swedish Artists in South Africa, South African National Gallery, Modern Museum International
Program, 1998. Essay by Emma Bedford and Åsa Nacking Catalog: Come Closer, Liechtesteiniche Staatliche Kunstsammlung, Oktagon Verlag Köln, 1998. Essays bySara
Arrhenius, Susanne Gaensheimer and John Paul Ricco
Leaflet: Studio Visit, a talk between Annika Eriksson, Maria Lind and Matts Leiderstam, Duende and Museum Boijmans Van Beuningen, Rotterdam, 1998
Wilhelm Snyman, \"Another look at the Arcadian gardens\", Cape Times, March 26 1998
Gerard Mack, \"Vaduz-Kunst der 90er Jahre aus Skandinavien in der Liechtensteinischen Staatlichen Kunstsammlung\", Kunst-Bulletin, April 1998, p.39
Bill Arning, ”Top of the Pops A roundup of 11 artists with careers on the rise”, Out, February 1998
Daniel Birnbaum, ”Where Have All The Madness Gone”, Parkett, “Cumulus Europa”, no 50-51/97
Catalog: Deposition-Contemporary Swedish Art in Venice, IASPIS - The Venice Biennale 1997. Essay by Maria Lind
Lena From, \"Matts Leiderstam Konstnär\", Göteborgs-Posten ”Gränslöst”, May 3 1997
Catalog: Letter and Event, 1997, Apex Art, New York. Essay byMaria Lind
Terry R. Myers, ”Believed to be Seen - The Work of Matts Leiderstam”, Paletten, no. 228, 1/97
Maria Lind, ”Excavating the Ideal Landscape-an interview with Matts Leidestam”, Material, no. 31,1997
Catalog: I am Curious, ”These Days”, Cubitt Gallery, London 1996. Introduction by Maria Lind and essay by Simon Grant
Catalog: Conceal / Reveal, Site Santa Fe 1996, Essay by Bruce Ferguson
Patrik Nyberg, \"Döden i Arkadien\", Huvudstadsbladet, August 31 1996
Bruce Ferguson, ”Matts Leiderstam: Cruising with Claude”, Art + Text,no. 54, May 1996
Catalog: Jurassic Technologies Revenant. The 10th Biennale of Sydney 1996. Essays by Vivian Bobka and Lynne Cooke
Catalog: See What it Feels Like! Rooseum-Center for Contemporary Art, Malmö 1996. Introduction by Bo Nilsson and essays by Don Kulick and Margaretha Rossholm Lagerlöf
Book: Park, 1994, Förlag, Stockholm. Essay by Sven-Olov Wallenstein, ”Parkens Två Ansikten”
Gunilla Grahn-Hinnfors, \"I skuggan bland träden\", Göteborgs-Posten, May 4,1994
Annika Öhrner, \"90 Tal presenterar Matts Leiderstam\", Tidskriften 90TAL, no.13, 1994
Maria Lind, ”Rörande utställning där allt tycks Leva ett Dubbelliv”, Svenska Dagbladet, December 3rd 1994
Lars O Ericsson, ”Förintad Intimitet. Installation of frunstrationens kyliga helvete – Matts Leiderstam på galleri Krister Fahl”, Dagens Nyheter, September 3 1990

Source: http://www.mattsleiderstam.com/